Fågelle

Booking Agent : Giorgio Salmoiraghi

Emerging out of the nordic experimental music scene, Fågelle is a wild collision of lyrical beauty and unhinged, raw expression, where soundscapes, heaving with intricate detail, meet radically fragile and powerful vocals. Her solo live shows move between quiet folkloristic singing passages and almost orchestral sound walls permeated by electronic disturbances. Songs building on a guitar riff, slowly diving into dark obscurity. Rural Gothic and urban artificial light – moving in between these poles.

On her newest album Den svenska vreden (The Swedish rage), out on Medication Time Records (BRUIT ≤, Glassing), she explores feelings of isolation and anger in collage-like soundscapes made with twisted field recordings, mobile memories, digital trash, dark electronics, and howling choirs while moving between harmony and noise. She juxtaposes lyrical songwriting and disruptive experiments to reflect the whole in all their facets.

Den svenska vreden is recorded and produced with long-time collaborator Henryk Lipp (Anna von Hausswolff, Millencolin), with whom she also made her debut album Helvetesdagar, which Swedish Gaffa called “a straight through uncompromising, filterless, honest, courageous and masterful album”. Since its release in 2019, she’s toured Europe by herself and supporting BIG|BRAVE and Esben and the Witch, playing venues and festivals such as Roadburn, Berghain Kantine in Berlin, Electrowerkz in London, and Petit Bain in Paris.

“A fascinating thing: light, elegant and gossamer-thin, but, when put to the test, exhibiting tremendousstrength…despite its hushed subtly, there’s also a steely uniqueness of vision at play.”
Metal Hammer, 8/10

“If this is an album that embraces rage, rarely, if ever, has rage sounded this gorgeous…a remarkable canvas to behold.“
Electronic Sound

“what’s often most striking about this album is its sense of fragility, most apparently in the artists Bjork-like vocals,but also on ‘Slavar’s’ delicate chiming electronics; ‘Ingenting’ could almost be a Scandinavian CocteauTwins…much more cathartic thanchaotic.”
DJ Mag

“I’m witnessing something so completely profound, that I can’t look away. […] Fågelle takes the chaos, and harnesses it to within an inch of its very being. It’s hypnotic, wondrous, and completely otherworldly.”
The Sleeping Shaman

 
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